The crossings in partnership between the 13th BIA and the exhibition Daido Moriyama: a retrospective, organized by Instituto Moreira Salles, aim to promote approximations between the photography made by Moriyama and the look at the city of São Paulo. The walk begins on Avenida Paulista, where the exhibition is on display, provoking a look at the city through photography, inspired by Moriyama’s conceptual thinking. Along the following route, participants are invited to learn about the history of the place and to create their own images. Peabiru was one of the routes of the native peoples of this territory that passed through São Paulo. Not by chance, it was used to murder and expel local Indigenous communities. To redo this walk represents the possibility of rescuing forgotten memories and resistances.

 

OPENING

Thyago Nogueira Curator and editor. He directs the Contemporary Photography department at Instituto Moreira Salles and is editor-in-chief of ZUM magazine. He is curator of the exhibition Daido Moriyama: a retrospective, organized by Instituto Moreira Salles.

 

Daniele Queiroz Assistant curator of Contemporary Photography at Instituto Moreira Salles. Founder of the platform and study group “History is another”, which studies women photographers and decolonial methodologies to approach the image. She is assistant curator of the exhibition Daido Moriyama: a retrospective, organized by Instituto Moreira Salles.

 

GUESTS

Casé Angatu He is indigenous and lives in the Tupinambá Territory in Olivença (Ilhéus/BA) in the Taba Gwarïnï Atã. He is a professor in the Graduate Program in Teaching and Ethnic-Racial Relations at the Federal University of Southern Bahia (PPGER-UFSB) and at the State University of Santa Cruz (UESC/Ilhéus/BA) and is a post-doctoral student in psychology at UNESP. He holds a PhD from the School of Architecture and Urbanism at the University of São Paulo (FAUUSP), a master’s degree in History from PUC-SP, and a historian from UNESP. Author of the books: “Nem Tudo Era Italiano – São Paulo e Pobreza na Virada do Século (1890-1915)” (2018), “Identidades Urbanas e Globalização: constituição dos territórios em Guarulhos/SP” (2006).

Georgia Niara She is an artist who aims, through photography, to rememorize the image of black bodies and dissident bodies, retaking the conception of image from the perspective of ancestral and decolonial memory. Through audiovisual as a filmmaker, and through education as an educator, she intends to create and disseminate new narratives as a tool for social transformation, and a way to search for identity.