{"version":"1.0","provider_name":"14th S\u00e3o Paulo International Architecture Biennale","provider_url":"https:\/\/bienaldearquitetura.org.br\/en","author_name":"contato@webinhood.com.br","author_url":"https:\/\/bienaldearquitetura.org.br\/en\/author\/contatowebinhood-com-br\/","title":"Galeria Yayoi Kusama - 14\u1d43 Bienal Internacional de Arquitetura de S\u00e3o Paulo","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"YmfvFO4jwI\"><a href=\"https:\/\/bienaldearquitetura.org.br\/en\/programacao\/galeria-yayoi-kusama\/\">Yayoi Kusama Gallery<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/bienaldearquitetura.org.br\/en\/programacao\/galeria-yayoi-kusama\/embed\/#?secret=YmfvFO4jwI\" width=\"600\" height=\"338\" title=\"\u201cYayoi Kusama Gallery\u201d \u2014 14th S\u00e3o Paulo International Architecture Biennial\" data-secret=\"YmfvFO4jwI\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/bienaldearquitetura.org.br\/wp-includes\/js\/wp-embed.min.js\n<\/script>","thumbnail_url":"https:\/\/bienaldearquitetura.org.br\/wp-content\/uploads\/2025\/09\/galeriayayoikusama_macharquitetosrizomaarquitetura_01-Marina-Vilela.jpg","thumbnail_width":1400,"thumbnail_height":930,"description":"Implanta\u00e7\u00e3o do projeto: BrasilDesenvolvimento do projeto: Brasil A Galeria Yayoi Kusama abriga duas instala\u00e7\u00f5es da artista no Inhotim: \u201cI am here but nothing\u201d e \u201cAftermath of obliteration of eternity\u201d. As obras s\u00e3o conhecidas por atrair uma grande quantidade de pessoas que, inevitavelmente, formam longas filas de espera. Dessa maneira, o projeto de arquitetura deve responder [&hellip;]"}