How can cities and their architectures face climate emergencies in the face of exponential tragedy, beyond construction strategies and their technicalities? <\/p>\n\n\n\n
Faced with such uncertainties, cinema\u2014and culture in general\u2014presents itself as a fundamental tool for denunciation, raising questions that challenge everyone. But not only that. Sequenced moving images are fertile ground for imagining other futures, reinventing social dynamics, broadening the debate on consumption, and truly agreeing on a balance between humans, built space, and the environment.<\/p>\n\n\n\n
The challenges are stacked up.<\/p>\n\n\n\n
This film screening, aligned with the curatorial thinking of the 14th BIAsp \u2013 Extremes: Architectures for a Hot World, seeks to critically provoke the public through a selection of feature and short films, both fictional and documentary, Brazilian and non-Brazilian, framing human rights, traditional knowledge, science and experimental constructions, extraction of natural resources, preservation and climate justice as central characters.
Rafael Blas \u2013 curator\/programmer<\/p>\n\n\n\n
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All screenings are free. Tickets can be picked up at the Cinemateca box office one hour before screenings.<\/p>\n\n\n\n
Cinematheque: Largo Sen. Raul Cardoso, 207 \u2013 Vila Clementino, S\u00e3o Paulo \u2013 SP, 04021-070<\/p>\n\n\n\n
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SESSION 4<\/p>\n\n\n\n
HEYARI<\/strong><\/strong><\/p>\n\n\n\n Fiction, short film, 20 minutes Synopsis<\/strong><\/p>\n\n\n\n Heyari (in Yanomami \u201cspread smoke to make someone sick by putting a spell on the fire\u201d)
Year: 2025
Country: Brazil
Directed by: Daniel Velasco Le\u00e3o
Production: Punktu Films and Made in China Films<\/p>\n\n\n\n
narrates the climate collapse in a housing complex, with the participation of residents
in the cast and production. Lonely old women die from the heat. The
former gold miner Viktor has his house taken by the sea and returns to the apartment that was once his
his mother. Joana, a devout denier, refuses to flee to the mountains with her son.
Together, Viktor and Joana find themselves increasingly alone in a threatening world, without
electricity, communication, and food. Joana becomes what she fears: an invader of
apartments, questioning his faith, as he awaits the return of his son.
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FISHERMAN STREET No. 6<\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n