Project implementation: Brazil
Project development: Brazil
The Semear cinzas (2024) initiative, conceived by artist Ana Lúcia Canetti, featured photographer Mariana Alves and was part of the Coordenadas […] event, held by the Graduate Program in Visual Arts at the University of Brasília. The event, which has been running for 10 years under the coordination of Professor Karina Dias, seeks to interrupt, even briefly, routine relationships with the landscape, reinventing connections with urban space through collective actions.
Ana Lúcia Canetti is a visual artist, ceramist and PhD candidate in Visual Arts at UnB. She holds a degree in Visual Arts from the Faculty of Arts of Paraná (2007), a master's degree in Psychology from UFSC (2010), in the research line "Ethical and aesthetic relationships and creative processes", and a degree in psychology from UFPR (2004).
For the work, the artist produced twenty ceramic pieces. Some were fired at high temperatures and glazed with ash; others were fired at low temperatures using the raku and raku nu techniques, in which soot from the vegetable firing is inscribed on the pieces, creating dots and lines.
Each participant chose one of these pieces and walked through a pine monoculture area in Brasília, DF, sowing plant ash harvested from different regions of the Cerrado. Some blew it, others spread it with their fingers or threw it into the air. Before the walk, they received instructions with the following instructions:
Choose a seed made of clay and fire
Try to read the messages left by the burning
What is written by soot in the earth's fractures?
What do the colors of the glazes reveal?
Walk in a group and sow ashes
Try to read what is advertised and fall to the ground
What do these little dust clouds tell us?
Being in the world is gardening other species
And also be the object of your sowings
What are we sowing? How are we being gardened?
I invite you to sow the glow of an extinguished fire,
Redistributing meanings of life in the darkness of the landscapes,
Bypassing repetitions,
Touching infertile soils,
Spreading sparks that can still light us up.
The work was inspired by the book *The Sower – On Contemporary Nature*, by Emanuele Coccia (2022). For the author, sowing is a form of illumination: a “distribution of astral light in terrestrial space,” created by fragments of matter that capture sunlight in the “mineral and gray flesh of the earth” (p. 30). Coccia proposes an analogy between the sower and the painter: both manipulate light as they attempt to redesign the world. The landscape, in this context, is less a geological figure and more an economy of light. Sowing and painting thus become a politics of light—“an act of setting the sun and its astral force elsewhere in the cosmos” (p. 45).